ابزارها کاربردی برای ساخت پرامپت 
تبدیل پرامپت ساده به پرامپت حرفه ای:
https://www.promptcowboy.ai/
تبدیل عکس به پرامپت:
https://picsart.com/image-to-prompt/
تبدیل ویدیو به پرامپت:
https://www.fineshare.com/ai-video/video-to-prompt
با این ابزارها میتونی پرامپتهای حرفه ای تری بنویسی و نتیجه بهتری بگیری
تبدیل پرامپت ساده به پرامپت حرفه ای:https://www.promptcowboy.ai/
تبدیل عکس به پرامپت:https://picsart.com/image-to-prompt/
تبدیل ویدیو به پرامپت:https://www.fineshare.com/ai-video/video-to-prompt
با این ابزارها میتونی پرامپتهای حرفه ای تری بنویسی و نتیجه بهتری بگیری
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۱۲:۳۶
برای اینکه عکس خودتونو جای چهره ی این خانم بذارید پرامپت زیر رو به هوش مصنوعی که استفاده میکنید بدید .
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Use Image A as the original scene and Image B as the identity reference.
Image A shows a woman riding a white horse emerging from torn paper. Image B is the reference photo of the person to insert into the scene.
Replace the rider’s face in Image A with the face from Image B. Preserve the exact composition, horse, body pose, costume, lighting, background, and torn paper effect from Image A.
The rider’s new face must closely match the identity of the person in Image B, including facial structure, eyes, eyebrows, nose, lips, and overall likeness. Blend the face naturally with the rider’s body and head position. Match the perspective, head angle, skin tone, and lighting so the result looks photorealistic and seamless.
Keep the rider elegant, modest, and realistic. If necessary, adjust the head covering slightly so the new face integrates naturally, but do not change the overall style of the original image.
Do not alter the horse, the environment, the dramatic effect, or the artwork composition. Only change the rider’s face and identity.
Image A shows a woman riding a white horse emerging from torn paper. Image B is the reference photo of the person to insert into the scene.
Replace the rider’s face in Image A with the face from Image B. Preserve the exact composition, horse, body pose, costume, lighting, background, and torn paper effect from Image A.
The rider’s new face must closely match the identity of the person in Image B, including facial structure, eyes, eyebrows, nose, lips, and overall likeness. Blend the face naturally with the rider’s body and head position. Match the perspective, head angle, skin tone, and lighting so the result looks photorealistic and seamless.
Keep the rider elegant, modest, and realistic. If necessary, adjust the head covering slightly so the new face integrates naturally, but do not change the overall style of the original image.
Do not alter the horse, the environment, the dramatic effect, or the artwork composition. Only change the rider’s face and identity.
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۱۲:۴۲
اینم پرامپت برای تبدیل عکس به ویدیو هست :
Create a cinematic 5-second image-to-video animation from the uploaded image.
At the beginning, the woman and the white horse are completely flat pencil drawings inside the vintage sheet of paper.
The center of the paper suddenly bulges outward as if the horse is pushing from behind it. The paper realistically tears open around the horse and rider, with curled, jagged torn edges and small paper fragments falling naturally.
A fully realistic three-dimensional white horse pushes its head and front legs through the torn paper and moves powerfully toward the camera. The modestly dressed female rider remains naturally seated and balanced on the horse.
As they emerge, both the horse and the woman completely transform from flat pencil drawings into photorealistic living characters.
The horse must have realistic white fur, detailed muscles, natural eyes, a flowing mane, authentic leather reins and riding equipment.
The woman must become a realistic, elegant, fully covered female rider wearing the same magnificent emerald-green dress with gold embroidery, black hijab under a black riding helmet, black gloves and riding boots. Preserve her dignified appearance, clothing, face and posture.
By the end of the video, the woman and horse are fully realistic and three-dimensional, partly outside the torn paper, making one strong forward movement toward the camera.
Keep the torn paper clearly visible around them. Use realistic physics, dramatic cinematic lighting, natural depth, smooth transformation, sharp details and a subtle camera push-in.
After emerging, the horse and rider must no longer look sketched, painted, illustrated, flat or made of paper. They must appear completely realistic and physically present outside the drawing.
No text, no subtitles, no watermark, no extra people, no additional horses, no cartoon style, no remaining pencil texture on the emerged characters, no deformed horse anatomy, no extra legs, no distorted face, no falling rider, no violent camera shake and no horror atmosphere.
Create a cinematic 5-second image-to-video animation from the uploaded image.
At the beginning, the woman and the white horse are completely flat pencil drawings inside the vintage sheet of paper.
The center of the paper suddenly bulges outward as if the horse is pushing from behind it. The paper realistically tears open around the horse and rider, with curled, jagged torn edges and small paper fragments falling naturally.
A fully realistic three-dimensional white horse pushes its head and front legs through the torn paper and moves powerfully toward the camera. The modestly dressed female rider remains naturally seated and balanced on the horse.
As they emerge, both the horse and the woman completely transform from flat pencil drawings into photorealistic living characters.
The horse must have realistic white fur, detailed muscles, natural eyes, a flowing mane, authentic leather reins and riding equipment.
The woman must become a realistic, elegant, fully covered female rider wearing the same magnificent emerald-green dress with gold embroidery, black hijab under a black riding helmet, black gloves and riding boots. Preserve her dignified appearance, clothing, face and posture.
By the end of the video, the woman and horse are fully realistic and three-dimensional, partly outside the torn paper, making one strong forward movement toward the camera.
Keep the torn paper clearly visible around them. Use realistic physics, dramatic cinematic lighting, natural depth, smooth transformation, sharp details and a subtle camera push-in.
After emerging, the horse and rider must no longer look sketched, painted, illustrated, flat or made of paper. They must appear completely realistic and physically present outside the drawing.
No text, no subtitles, no watermark, no extra people, no additional horses, no cartoon style, no remaining pencil texture on the emerged characters, no deformed horse anatomy, no extra legs, no distorted face, no falling rider, no violent camera shake and no horror atmosphere.
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پرامپت جایگزینی عکس شخص بجای عکس اسب سوار آقا :Use Image A as the main base image and Image B as the face reference.
Image A is the original male horse-rider image. Image B is the portrait photo of the person whose face should replace the rider’s face.
Replace only the rider’s face in Image A with the face from Image B. Keep the horse, pose, body position, clothing style, riding posture, background, torn paper effect, lighting, colors, and overall composition of Image A unchanged.
The new face must look natural, realistic, and well integrated with the body and scene. Match the skin tone, facial angle, lighting direction, and expression so it looks like the same person is truly riding the horse.
Preserve masculine elegance and realistic facial proportions. Keep the result cinematic, high quality, and visually seamless.
If needed, slightly adapt the hairline, beard, or facial framing so the new face blends naturally into the existing rider’s head and costume, while keeping the final look realistic and consistent.
Do not change the horse, the dramatic paper-tear effect, the costume style, or the background. Focus only on replacing the rider’s face naturally and accurately.
Image A is the original male horse-rider image. Image B is the portrait photo of the person whose face should replace the rider’s face.
Replace only the rider’s face in Image A with the face from Image B. Keep the horse, pose, body position, clothing style, riding posture, background, torn paper effect, lighting, colors, and overall composition of Image A unchanged.
The new face must look natural, realistic, and well integrated with the body and scene. Match the skin tone, facial angle, lighting direction, and expression so it looks like the same person is truly riding the horse.
Preserve masculine elegance and realistic facial proportions. Keep the result cinematic, high quality, and visually seamless.
If needed, slightly adapt the hairline, beard, or facial framing so the new face blends naturally into the existing rider’s head and costume, while keeping the final look realistic and consistent.
Do not change the horse, the dramatic paper-tear effect, the costume style, or the background. Focus only on replacing the rider’s face naturally and accurately.
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پرامپت تبدیل عکس به ویدیو اسب آقا :
Create a cinematic 5-second image-to-video animation from the uploaded image.
At the beginning, the man and the white horse are completely flat pencil drawings inside the vintage sheet of paper.
The center of the paper suddenly bulges outward as if the horse is pushing from behind it. The paper realistically tears open around the horse and rider, with curled and jagged torn edges and small paper fragments falling naturally.
A fully realistic three-dimensional white horse pushes its head and front legs through the torn paper and moves powerfully toward the camera. The male rider remains naturally seated and balanced on the horse.
As they emerge, both the horse and the rider completely transform from flat pencil drawings into photorealistic living characters.
The horse must have realistic white fur, detailed muscles, natural eyes, a flowing mane, authentic leather reins and riding equipment.
The man must become a realistic, elegant male rider wearing the same magnificent dark formal riding outfit, with a dignified appearance, refined masculine styling, gloves, boots, and a confident posture. Preserve his noble and cinematic look.
By the end of the video, the man and horse are fully realistic and three-dimensional, partly outside the torn paper, making one strong forward movement toward the camera.
Keep the torn paper clearly visible around them. Use realistic physics, dramatic cinematic lighting, natural depth, smooth transformation, sharp details, and a subtle camera push-in.
After emerging, the horse and rider must no longer look sketched, painted, illustrated, flat, or made of paper. They must appear completely realistic and physically present outside the drawing.
No text, no subtitles, no watermark, no extra people, no additional horses, no cartoon style, no remaining pencil texture on the emerged characters, no deformed horse anatomy, no extra legs, no distorted face, no falling rider, no violent camera shake, and no horror atmosphere.
Create a cinematic 5-second image-to-video animation from the uploaded image.
At the beginning, the man and the white horse are completely flat pencil drawings inside the vintage sheet of paper.
The center of the paper suddenly bulges outward as if the horse is pushing from behind it. The paper realistically tears open around the horse and rider, with curled and jagged torn edges and small paper fragments falling naturally.
A fully realistic three-dimensional white horse pushes its head and front legs through the torn paper and moves powerfully toward the camera. The male rider remains naturally seated and balanced on the horse.
As they emerge, both the horse and the rider completely transform from flat pencil drawings into photorealistic living characters.
The horse must have realistic white fur, detailed muscles, natural eyes, a flowing mane, authentic leather reins and riding equipment.
The man must become a realistic, elegant male rider wearing the same magnificent dark formal riding outfit, with a dignified appearance, refined masculine styling, gloves, boots, and a confident posture. Preserve his noble and cinematic look.
By the end of the video, the man and horse are fully realistic and three-dimensional, partly outside the torn paper, making one strong forward movement toward the camera.
Keep the torn paper clearly visible around them. Use realistic physics, dramatic cinematic lighting, natural depth, smooth transformation, sharp details, and a subtle camera push-in.
After emerging, the horse and rider must no longer look sketched, painted, illustrated, flat, or made of paper. They must appear completely realistic and physically present outside the drawing.
No text, no subtitles, no watermark, no extra people, no additional horses, no cartoon style, no remaining pencil texture on the emerged characters, no deformed horse anatomy, no extra legs, no distorted face, no falling rider, no violent camera shake, and no horror atmosphere.
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آدرس سایت تبدیل عکس به ویدیو :https://pixverse.ai/en
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https://phet.colorado.edu/لینک مستقیم سایت هست . از زبان فارسی هم پشتیبانی میکنه و برای استفاده ی راحتتر میتونید زبانش رو فارسی کنید.
مثلا تو قسمت شیمی من باهاش مولکول ساختم ، موارد مختلف زیادی داره یا در قسمت ریاضی به عنوان مثال بخش ابتدایی بازی های خیلی جالبی داره .
مثلا تو قسمت شیمی من باهاش مولکول ساختم ، موارد مختلف زیادی داره یا در قسمت ریاضی به عنوان مثال بخش ابتدایی بازی های خیلی جالبی داره .
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